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Cacharel Unveils New CEO, in Major Corporate Revamp
November 21st, 2012 @ 00:56 AM
Kane Drops Out of Versus in Major Shake-up
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Pucci’s Madison Avenue Store Debuts Massive Expansion
November 16th, 2012 @ 00:35 AM
Ghesquière Departs Balenciaga in Major Surprise
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Sao Paulo Fashion Week: Between Optimism and Fear
November 02nd, 2012 @ 00:28 AM
London Unveils Men’s Season Schedule
November 01st, 2012 @ 00:36 AM
Azzaro Releases Castello Branco
October 25th, 2012 @ 00:18 AM
Revenue Soars 22 Percent at LVMH in First Three Quarters
October 16th, 2012 @ 00:18 AM
Rykiel Names Geraldo da Conceicao Artistic Director
September 21st, 2012 @ 8:12 PM
Brazil’s New London Pop-Up
September 21st, 2012 @ 7:20 PM
McQueen Men Returning Home to London
September 12th, 2012 @ 7:19 PM
Roitfeld, Mum and Son, Open in Brazil
September 07th, 2012 @ 00:54 AM
Berluti Opens to Big-Time Business in London
September 06th, 2012 @ 3:27 PM
Stefano Pilati Back with a Bang at Zegna
September 05th, 2012 @ 7:10 PM
Hugo Boss Wows in Berlin, Plans for New York
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Salvatore Ferragamo: Crusin’ the Louvre
June 13th, 2012 @ 11:04 AM
Michel Klein Gains New Backer; Launches Sunglass Collection
June 13th, 2012 @ 00:48 AM
Sykes Jettisoned by Aquascutum; Maurer In at Rabanne
June 06th, 2012 @ 00:18 AM
Armani Conquers China, Chastises the Pope
June 01st, 2012 @ 11:53 AM
Raf Simons' Florally Refined Christian Dior
July 02nd, 2012 @ 4:29 PM - Paris
There is nothing quite like the respect of one's peers, which is what Raf Simons got in considerable quantities at his debut runway collection for the house of Christian Dior.
One practically stumbled over designers - Marc Jacobs, Alber Elbaz, the long retired Jean Louis Scherrer, Azzedine Alaia, Diane von Furstenberg and Olivier Theyskens, to name just six, sat front row - at this fall 2012 haute couture show, staged Monday afternoon, July 2, in Paris. In the end, over a dozen designers showed up, pretty much an unheard of number even for such an important debut. And, few of them, surely, left disappointed after a Dior collection that finely balanced the classic visual DNA of the famed house with the modernist élan of Simons.
Staged in a private art foundation that is currently for sale, the 8th arrondissement mansion's upper floor was re-imagined into four separate salons, each one's wall covered in with densely packed panels of floors; red roses; white orchids, yellow mimosa and blue delphiniums. The curvaceous shapes of flowers and petals suggesting the curvilinear silhouettes of founder Monsieur Dior's New Look.
The opening passage - a black pants suit with flared tuxedo jacket - was a telling homage to that New Look, while also a break with the house's past. There had practically never been a pair of pants on a Dior runway in a decade.
Simons riffed somberly in black wool crepe in a half dozen looks, dissecting them with studded brass belts, before wowing with the collection's key look - mini ball gowns, cut so short they were tops, and embroidered with exquisite dexterity with fabric buds and crystal petals.
"I wanted to make haute couture more probable. Not just a red carpet look, but something women can wear in many different contexts and times of the day," Simons told FWD, in between posing for photos with over a score of movie stars.
The Belgium couturier's most commercial moments were some fab fur ideas, from a curvy mini gown top over pants - all made of white astrakhan - to a midnight blue, almost feathered in its treatment, blue cocktail dress. You could see the ladies in the audience almost twitch at the understated chic of a gray Prince of Wales dress, that ballooned below the hips in the New Look manner, yet looked thoroughly of today.
Not everything was in synch; duchess satin gowns based on biomorphic spray prints from artist Sterling Ruby were real clangers, and the show was a half dozen looks too long -generally evidence of a couturier still finding his way in a top-notch Paris couture atelier. Yet, those final five outfits, ornate organza dresses with futurist flower embroidery, several with contrasting backs, were of great beauty.
This was not quite a great collection, but its culmination was proof that Simons has couture greatness within him.
"Formidable and beautiful. Raf should be very proud," enthused Pierre Cardin, who will be 90 this Saturday, while the 29-year-old Christopher Kane, London's best young designer, remarked: "Beautiful, and the right mix of Raf and Dior."
Only Alaia was hesitant to comment. "Can I have a night to reflect?" he responded to FWD, as he left the mansion after a faultless presentation and a convincing debut.