|Versus Hires Jonathan Anderson
November 29th, 2012 @ 11:04 AM
Cacharel Unveils New CEO, in Major Corporate Revamp
November 21st, 2012 @ 00:56 AM
Kane Drops Out of Versus in Major Shake-up
November 20th, 2012 @ 10:14 AM
Pucci’s Madison Avenue Store Debuts Massive Expansion
November 16th, 2012 @ 00:35 AM
Ghesquière Departs Balenciaga in Major Surprise
November 05th, 2012 @ 00:43 AM
Sao Paulo Fashion Week: Between Optimism and Fear
November 02nd, 2012 @ 00:28 AM
London Unveils Men’s Season Schedule
November 01st, 2012 @ 00:36 AM
Azzaro Releases Castello Branco
October 25th, 2012 @ 00:18 AM
Revenue Soars 22 Percent at LVMH in First Three Quarters
October 16th, 2012 @ 00:18 AM
Rykiel Names Geraldo da Conceicao Artistic Director
September 21st, 2012 @ 8:12 PM
Brazil’s New London Pop-Up
September 21st, 2012 @ 7:20 PM
McQueen Men Returning Home to London
September 12th, 2012 @ 7:19 PM
Roitfeld, Mum and Son, Open in Brazil
September 07th, 2012 @ 00:54 AM
Berluti Opens to Big-Time Business in London
September 06th, 2012 @ 3:27 PM
Stefano Pilati Back with a Bang at Zegna
September 05th, 2012 @ 7:10 PM
Hugo Boss Wows in Berlin, Plans for New York
July 06th, 2012 @ 00:17 AM
Salvatore Ferragamo: Crusin’ the Louvre
June 13th, 2012 @ 11:04 AM
Michel Klein Gains New Backer; Launches Sunglass Collection
June 13th, 2012 @ 00:48 AM
Sykes Jettisoned by Aquascutum; Maurer In at Rabanne
June 06th, 2012 @ 00:18 AM
Armani Conquers China, Chastises the Pope
June 01st, 2012 @ 11:53 AM
Yves Saint Laurent’s Entente Cordiale
January 23rd, 2011 @ 1:26 PM - Paris
The Anglo-French understanding has rarely looked more cordial in fashion than in the menswear runway show of Yves Saint Laurent on Sunday, Jan. 23, the freshest and most elegant collection seen in Europe this season.
“Yves Saint Laurent silhouette, Pierre Berge French taste,” smiled YSL’s creative director Stefano Pilati, referring to Saint Laurent’s long-time partner, a dapper Frenchman who had his own suits made for him in London tailor Anderson & Sheppard.
Staged in a gilded Grand Empire drawing room, and illuminated with faint afternoon winter light, the show opened with a series of rather Edwardian looks, i.e. elongated jackets with velvet collars and shirts with micro rounded collars: somewhat British gentleman, somewhat rockabilly singer.
Yet, the collection was also quintessentially French in its lean cuts, beautifully made jackets and aloof refinement. Coats and jackets all featured inventive four-inch darts halfway across the shoulder that seemed to mould the garment onto the models.
Then halfway through the show, he altered direction with a half dozen A-line style coats with super-wide sleeves that had great theatrical charm. Reminiscent of a gentleman man of letters, one mega lapel coat-meets-cloak looked incredibly smart, as did a pony skin trench finished at the bottom in black-dyed Argentine fox.
Though a highly knowledgeable fashion insider, Pilati also a great visual sense of humor – seen in the camouflage rubber soles of many shoes, and the leopard pattern of their under-soles. Other accessory hits included sleek pony skin boots, and a final trio of models each wearing four rings spread over their four fingers, collectively spelling out the name "YVES." The heeled loafers and boots were also knock-out.
“I wanted hidden beauty,” added Pilati, himself dressed in an elongated jacket, though with only two high buttons.
His triple suit finale, in particular a micro double-breasted version on a shaven head and strutting young Russian model made for the perfect ending. But what made this collection so great, and perhaps Europe’s best menswear collection, was the sense of a designer respecting the DNA of a brand, while still managing to create a collection that could only have been shown in 2011.