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November 29th, 2012 @ 11:04 AM
Cacharel Unveils New CEO, in Major Corporate Revamp
November 21st, 2012 @ 00:56 AM
Kane Drops Out of Versus in Major Shake-up
November 20th, 2012 @ 10:14 AM
Pucci’s Madison Avenue Store Debuts Massive Expansion
November 16th, 2012 @ 00:35 AM
Ghesquière Departs Balenciaga in Major Surprise
November 05th, 2012 @ 00:43 AM
Sao Paulo Fashion Week: Between Optimism and Fear
November 02nd, 2012 @ 00:28 AM
London Unveils Men’s Season Schedule
November 01st, 2012 @ 00:36 AM
Azzaro Releases Castello Branco
October 25th, 2012 @ 00:18 AM
Revenue Soars 22 Percent at LVMH in First Three Quarters
October 16th, 2012 @ 00:18 AM
Rykiel Names Geraldo da Conceicao Artistic Director
September 21st, 2012 @ 8:12 PM
Brazil’s New London Pop-Up
September 21st, 2012 @ 7:20 PM
McQueen Men Returning Home to London
September 12th, 2012 @ 7:19 PM
Roitfeld, Mum and Son, Open in Brazil
September 07th, 2012 @ 00:54 AM
Berluti Opens to Big-Time Business in London
September 06th, 2012 @ 3:27 PM
Stefano Pilati Back with a Bang at Zegna
September 05th, 2012 @ 7:10 PM
Hugo Boss Wows in Berlin, Plans for New York
July 06th, 2012 @ 00:17 AM
Salvatore Ferragamo: Crusin’ the Louvre
June 13th, 2012 @ 11:04 AM
Michel Klein Gains New Backer; Launches Sunglass Collection
June 13th, 2012 @ 00:48 AM
Sykes Jettisoned by Aquascutum; Maurer In at Rabanne
June 06th, 2012 @ 00:18 AM
Armani Conquers China, Chastises the Pope
June 01st, 2012 @ 11:53 AM
Christian Dior Derby Day
January 25th, 2010 @ 10:31 AM - Paris
Tally ho Dior!
Equestrian chic was the big news in Christian Dior’s spring haute couture show Monday afternoon, Jan. 25, in Paris, where the house’s couturier John Galliano looked to fin de siecle ladies who hunted, rather than lunched.
Specifically, Galliano referenced the late 19th century women who inspired Charles James, the neo-classical American designer whose more extravagant shapes also inspired Monsieur Christian Dior himself when he developed the 1947 New Look show, one of the most influential collections ever made.
But, though Galliano began with four strictly cut riding jackets, with black velvet collars and flared waists, paired with pleated long skirts all the better for dressage on a side saddle, he soon segued into more opulent abstractions. The designer James, too, was famed for bending fabrics to his own will to develop fashionable three-dimensional sculptures.
With horses hooves beating in DJ Jeremy Healey’s funk melodrama soundtrack, beauties appeared in artfully rouched cotton pique dresses, whose curves suggested speed and daring. There was one sensational dress on Chanel Iman, a cocktail of lace and tulle flowers, which rendered the model so beautiful you could just count the hearts being broken.
On the catwalkers’ feet were some dominatrix, high-heel boots that will win legions of fans, and on their heads were the most refined of angled Derby Day hats.
Galliano also doesn’t get enough credit as a colorist, and his mixes of taupe, icy sapphire rose and champagne were as assured as any seen by Yves Saint Laurent, who in a straw poll of fashion critics would probably rank as the most famous color combiner of all. If there are any doubts, check out the raspberry tulle jacket worn over a racy purple silk skirt by sleepy eyed Russian model Vlada Roslyakova. The mix was flawless.
“I think women always look pretty sexy in riding gear," said pop singer Kylie Minoque after the show. "But what John did today was take it to another, more extravagant and beautiful level.”
As ever, Galliano shuffled the visual cards when it came to the styling. Though stimulated by estate owning grand dames, the models sported saucy white, nightclub singer make-up, green eye shadow and hair that stuck up like stalagmites, a la "Bride of Frankenstein."
“I wanted the influences behind Mr. Dior’s New Look… from Amazons and dressage to ball gowns,” explained Galliano. The Dior couturier took his bow in boots, jodhpurs, redingote and a wonderful top hat, flicking a whip against his outer thigh, as he strode through Dior’s Avenue Montaigne headquarters.